It is a common warning in certain circles that sharing custody a pet after a breakup is a terrible idea. Most will argue such situations impede former couples from moving forward, lead to scheduling chaos, fuel disputes, and become annoying for everyone involved. Apparently, as a development worthy of a streaming movie, it also makes our furry friends to become depressed.
While respecting the emotional well-being of animals – countless people attest to their profound sensitivity. To witness a masterclass in canine melancholy, one need only look a past film. It seems certain that a dog like Merv, a spirited little dog portrayed by a talented dog named Gus, would have a hard time adjusting to life in two homes. If this concept a feature-length romcom on such a setup is sustainable remains a questionable prospect.A Familiar Formula
Honestly, Merv, the work of its screenwriters and directed by Jessica Swale, doesn't pretend to be anything more than its premise. It functions as a Christmas movie from a corporate studio – the ambitions are modest. The plot unfolds as uncomplicated: former spouses Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, confronting that their individual funk is rivaled only by their dog's, decide on a uplifting getaway to a dog-friendly resort. Once there, as expected, they will presumably realize the idea that they are better together. Ensemble players – played by a group of comedic actors – are crafted as the usual assortment of types. Visually is reminiscent of a platform's in-house production, with a holiday backdrop that is visibly contrived – as seen in obvious snow effects piled on lush pines as North Carolina doubles as a wintery Boston.
The Dog's Domain
If these familiar elements merge into an entertaining watch depends on the strength of the performances and an acceptance of cinematic comfort food. Regarding the second aspect, Merv targets a specific viewer – the kind who scroll endlessly for pet content. It provides a wealth of scenes focused on the pet. The central draw is the dog, and though it results in some stilted moments between the pet's "lines" and human reaction, the movie succeeds in showing dog beach fun, pet moping, and, finally, pure puppy happiness.
Where It Wobbles
This level of success does not extend for the interpersonal drama. The tone shifts uneasily between relationship drama, broad humor, formulaic romance, and silly gags, failing to master any one mode. No blame falls on Charlie Cox, who is fully game the silliness and cringe inherent in the unusual premise. His performance contains a charming humility that offers much of the film's charm for this ostensibly perfect couple. Anna's portrayer, true to her usual style, brings a particular brand of eccentricity that will either resonate with viewers. Her Anna can feel a little too aloof, especially when paired with Cox's heartfelt sincerity. (On another note, Gus the Dog succeeds in looking despondent – not quite Messi from that acclaimed drama, he remains a very good boy.)
The story strives to add substance to Anna and Russ's relationship for scenes without their pet – which is unfortunate, since the dog is by far the best part of this cute-aiming movie. Unsurprisingly, it achieves only baseline competence. The catalyst for their separation might seem more adult and realistic with more screen time and less blunt explanation. Ultimately, Merv is gentle and pleasant, fulfilling all its marks. Making a film about dog co-parenting has potential – though I wouldn't call it a stroke of genius.
- Merv becomes available on Prime Video starting December 10.
